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NFTs and digital objects
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NFTs and digital objects

exchanges / cap mktsidentity and privacymarketingMetaverse / xRNFTs and digital objectsSocial / Communityvisual art
·Oct. 6, 2021

User-Generated Finance and Cultural Financial Instruments, via Snoop Dogg, Dapper Labs, and $1.5B Decentralized Social

The structure of capital markets precedes the innovations that come from it. High frequency trading, passive ETF investing, SPACs, and crypto assets all telegraphed their value proposition before becoming large and meaningful in scale. We are now seeing a new market shape emerge, one that starts with community and builds up into financial instruments that are cultural and social. This analysis looks at the most recent developments in the overlap between decentralized social and cultural work and related financial features.

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decentralized financedigital transformationMetaverse / xRNFTs and digital objects
·Oct. 16, 2020

Virtual communities and digital worlds are the difference between Finance Incumbents, Fintech, and DeFi

This week, we look at:

  • How the medical reality is accelerating remote work and digital commerce, including the success of buy-now-pay-later companies like Affirm and Klarna

  • The emergence of virtual worlds and video game environments that generate $ billions in revenue and have millions of participants, with examples of Zwift, Fortnite, Tomorrowland, Roblox, Genshin Impact

  • How to connect digital environments to digital communities and their economic activity, including through mechanisms like non-fungible-tokens in Rarible and Async Art

  • Advice for shifting thinking from manufacturing financial product, to starting with the customer, to leveraging the community

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artificial intelligenceDAOsNFTs and digital objectsphilosophyvisual art
·Jul. 22, 2019

What Finance can learn from the Evolution of Beautiful Artificial Intelligence Art

However, mastery is not immune to automation. As a profession, portraiture melted away with the invention of the Camera, which in turn became commoditized and eventually digitized. The value-add from painting had to shift to things the camera did *not* do. As a result, many artists shifted from chasing realism to capturing emotion (e.g., Impressionism), or to the fantastical (e.g., Surrealism), or to non-representative abstraction (e.g., Expressionism) of the 20th century. The use of the replacement technology, the camera, also became artistic -- take for example the emotional range of Fashion or Celebrity photography (e.g., Madonna as the Mona Lisa). The skill of manipulating the camera into making art, rather than mere illustration, became a rare craft as well -- see the great work of Annie Leibovitz.

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CryptoDAOsdecentralized financeMetaverse / xRNFTs and digital objects
·Sep. 24, 2021

What’s next in Web3? Tachyon Accelerator’s MD Gabriel Anderson on early stage in NFTs, DeFi, & Crypto

In this conversation, we chat with Gabriel Anderson – Managing Director at Tachyon, Head of Market Strategy & Business Intelligence at ConsenSys Labs. Former Head of VaynerMedia. Alumnus of Merrill Lynch.

More specifically, we touch on what Tachyon is, how it works, and who it’s for, the growth of crypto, and what needs to come next to allow the widespread adoption of crypto by mainstream society. Gabriel talks about the best projects he has seen so far that combine NFTs with other elements of DeFi and crypto, and what he’d like to see more of in the future.

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big techcentral bank / CBDCdecentralized financeMetaverse / xRNFTs and digital objects
·Nov. 3, 2021

Why Facebook is domain squatting on the Metaverse

We discuss the Facebook pivot into the metaverse and its rebrand into Meta. Our analysis touches on the competitive pressures faced by the company from big tech players, other ecosystem builders, and limits to growth for a $1 trillion business that likely motivated this refocus. We further dive into network effects around platforms, and why super apps and financial features are attractive, and how owning the hardware is a required defensive strategy. Lastly, we discuss these development through the crypto and Web3 lens, deeply disappointed with Facebook trying to domain park a generational opportunity with a centralized solution.

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music industryNFTs and digital objectspaytechphilosophySocial / Community
·Mar. 8, 2021

Why Square bought Jay Z’s music service Tidal for $300MM, and how the NFT-driven transformation of music royalties and ownership can explain this future

This week, we look at:

  • Square acquiring Tidal and its 1-2 million of subscribers for $297 million, and the logic for what a payment processors has in common with the creative industry

  • How celebrities and creators like Mark Cuban, Gary Vaynerchuk, Grimes, 3LAU and others are generating millions in NFT sales

  • The impact on the economic model of the music industry, including a look at royalty structures, revenue pools, and financial vehicles when tokenized

  • The philosophical divide growing between a feudal platformed commons (e.g., YouTube) and a collectivist anarchist capitalism

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