Findings from a new Google Cloud survey on sentiment around generative AI among banking executives.
The image is taken from an AI paper which explains how to use generative adversarial networks (i.e., GANs) to hallucinate hyper realistic-imagery. By training on hundreds of thousands of samples, the model is able to create candidates representing things like “just a normal dude holding a normal fish nothing to see here”, and then edit out the ones that are too egregious.
The reason the stuff above is so scary is actually that you can mathematically transition in the space between images. So for example, you could move between “a normal dude” and “just a normal fish” and have nightmare fish people. Or you could create a DNA root for an image which is part dog, part car, and part jellyfish. Check out the video below and the very accessible https://www.artbreeder.com/ website to see what I mean.
In this episode, we connect with serial founder Ohad Samet, CEO of TrueAccord. Ohad has been working in fintech machine learning for a decade and a half, applying multi-dimensional mathematics to consumer finance. The result? A more empathetic approach to the traditionally gnarly problem of debt collection.
What we know intuitively, and what the software shows, is that the pixelated image can be expanded into a cone of multiple probable outcomes. The same pixelated face can yield millions of various, uncanny permutations. These mathematical permutations of our human flesh exit in an area which is called “latent space”. The way to pick one out of the many is called “gradient descent”.
Imagine you are standing in an open field, and see many beautiful hills nearby. Or alternately, imagine you are standing on a hill, looking across the rolling valleys. You decide to pick one of these valleys, based on how popular or how close it is. This is gradient descent, and the valley is the generated face. Which way would you go?
In the long take this week, I try out a contrarian point of view on personal finance chatbots. Trim, a savings chatbot, just withdrew support from Facebook Messenger. While lots of other chatbots are still invested in conversational banking, what could we take away from the counterfactual of chatbots failing to get B2C traction? What is the impact on the rest of the platform wars waged by Amazon, Google, and Tesla for connected homes, cars, and the Internet of Things?
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While more people are shopping online, they are increasingly concerned about their digital security. Might passkeys be the answer? Quintin Stephen believes they will help.
You work. You get money. You take money and invest it. If you are lucky, it becomes larger. Otherwise, it becomes smaller. If you have a lot of money, you can either start a company or not. If you start a company, you invest in your own ability to influence outcomes and in your own transformation function. There are other, personal utility functions also being satisfied in executing the transformation function. Alternately, you focus on the work of getting capital into other companies. For this allocation and selection work, you are rewarded. To this, you can add the capital of others, until you are doing selection on their behalf.
The question of consciousness goes to the root of why we build, what we create, and how we decide what is valuable and what is not. And if we can control our self-conception and the modeling we do of the world, the texture of life becomes better. A recurrent theme in our writing is that systems don’t care about their agents per se. There are many game theoretical equilibria where agents suffer, but systems perpetuate. So figuring out how an agent within a system reflects on happiness is paramount.
However, mastery is not immune to automation. As a profession, portraiture melted away with the invention of the Camera, which in turn became commoditized and eventually digitized. The value-add from painting had to shift to things the camera did *not* do. As a result, many artists shifted from chasing realism to capturing emotion (e.g., Impressionism), or to the fantastical (e.g., Surrealism), or to non-representative abstraction (e.g., Expressionism) of the 20th century. The use of the replacement technology, the camera, also became artistic -- take for example the emotional range of Fashion or Celebrity photography (e.g., Madonna as the Mona Lisa). The skill of manipulating the camera into making art, rather than mere illustration, became a rare craft as well -- see the great work of Annie Leibovitz.
Generative AI (GenAI) is the topic of the year, as more institutions turn to investment in the technology. This is just the beginning.